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I speed through my six lenses and tell you what I can about them in ten minutes. Tell me if this is good, or if you want anything else! I'll be more then happy to answer questions. Feel free to comment and/or subscribe. Thanks!
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In this episode of "Learn to Speak Camera", I give a brief overview of the main types of lenses which most consumer and professional cameras can use. Since compact and bridge cameras are stuck with the lenses they have, some of this does not apply to them. However if you own a compact or bridge camera you may find it informative to learn what you could have access to. I would recommend hiring a DSLR body and a couple of different kinds of lens if you want to get practical experience of the differences. The errata for this episode are posted here: www.facebook.com The properties of lenses are important and intricate topics, which will be visited over the next episodes: Focal Length in episode 5, and Aperture in episode 7. The related topics of Crop Factor, Shutter Speed, and Autofocus will appear in episodes 6, 8 and 14 respectively. Sorry about the jaundiced look - lighting problems! I get this fixed by episode 7. Excerpt from "Feeling", from the album Ice Breaker, used with the very kind permission of Candice and Matthew: naturalwriters.co.uk The amazingly lovely Sigma 10-20mm EX DC HSM ultra wide angle lens I mentioned in the video... in - Canon fit (Amazon UK): www.amazon.co.uk - Nikon fit (Amazon UK): www.amazon.co.uk L-series Canon lenses to gaze upon: www.amazon.co.uk The "Learn to Speak Camera" series is aimed at novice and amateur photographers, and those others who would consider the hobby if only it weren't so confusing. Each episode will deal with a single ...
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Printing in the darkroom, is quite different from developing negatives. To do so correctly you need some specialized, although reasonably priced and easily available equipment. To begin this final installment of the Darkroom series I want to start by mentioning the tools, equipment, and chemicals you need to work on your darkroom printing.
The Tools:
Asafe box (a box that has a lightproof seal). The paper comes in many forms such as Resin Coated, Fiber, and Canvas.
Enlarger: An enlarger is the main piece of equipment needed to print from your negatives. The enlarger works by projecting the negative about the photo paper. Each enlarger is fitted with a light bulb, lens, film holder and filter tray, although some enlargers have a built in filter system. Different lenses need to be used depending on the film (i.e. 35mm, medium or large format).
Filters: Filters are used to adjust the contrast and tones of the negative being projected onto the photo paper.
Infrared light: Since you will be using light sensitive material, you need to work in your darkroom using infrared light instead of normal light conditions. Infrared allows you to see, but it does not affect the papers.
Developing trays: Developing trays are needed to contain the chemicals to develop the paper. They vary in size from 8"x10" and up.
Thermometer: You will need a thermometer to ensure that the correct temperature is reached while developing.
Beakers & Stirrers: As with developing film you will need some beakers and stirrers to prepare the chemicals; stirrers are simply long plastic tools that mix the chemicals.
Bath: A water bath is needed to wash the final print.
Notebook: Printing and working in the darkroom means you have no exit data to help you with exposure times. Instead, you will need a notebook to record your data.
Dodging/Burning tools: These are easily made tools that allow you to control the light hitting certain areas of the paper in the enlarger. I will go through the dodging/burning technique later in next articles.
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