Wednesday, 30 March 2011

Spring Awakes 3 - test video with Panasonic Lumix FZ38 and GH1

Demonstrating the capability of the FZ38 compared to the GH1 with micro four thirds adapted sigma 105mm macro lens. Ducks and final sequencies with the FZ38. Captured in 720p avchd lite, transcoded with photofunstudio 4 HD into .m2ts files edited with sony vegas platinum edition. Video wall opening sequence created with power director8 and exported as mpeg2 file.

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Saturday, 26 March 2011

Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens for Nikon SLR Cameras

Buy Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom Lens for Nikon SLR Cameras Order Today!


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Sigma
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Great Deal :
$140.00
Date Created :
Mar 26, 2011 22:45:03
Telephoto zoom lenses with excellent cost performance and optimized for use with digital SLR cameras. Capable of macro photography, this lens has a 1:2 maximum close-up magnification at the 300 mm focal length. It's the ideal high performance lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range. It also has a switch for changeover to macro photography at focal lengths between 200mm and 300mm with a maximum close-up magnification from 1:2.9 to 1:2. SLD (Special Low Dispersion) glass in this lens provides excellent correction of chromatic aberration.

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Wednesday, 23 March 2011

The Nikkor 10.5 Fisheye Lens for Nikon DX Camera Users

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The Nikkor 10.5 Fisheye Lens is designed for Nikon's DX lineup of Digital SLR's with the1.5x crop sensors. This lens is a 180 degree "full frame" diagonal fisheye. No circular images with this lens. FX users can also use this lens, but in order to take full advantage of these cameras full frame sensors your better off going with the Nikkor 16mm f/2.8 Fisheye instead.

If your a Nikon DX user and your looking for a fisheye lens that delivers sharp, crisp images with beautiful saturation and standout contrast then you need look no further than the Nikkor 10.5mm f/2.8 Fisheye Lens.

Since it first came out in 2003 this lens has been a hit with Nikon users who love shooting wide angle. The Nikkor 10.5 fisheye has even managed to generate a cult following among skateboard shooters who love being right in the center of the action.

Features of the Nikkor 10.5 Fisheye Lens

With a maximum aperture of f/2.8 the Nikkor 10.5 is a fast lens allowing the photographer to shoot in low light conditions. You can safely shoot at 1/10th of second without using a tripod with this lens providing you have a steady hand. Great for those who love to shoot in low light conditions! The minimum aperture of the Nikkor is f/22.

With a Close Focus Range of 5.5 inches - 1.25 inches from the front of the lens - you can move in very close with the Nikkor 10.5mm Fisheye with very accurate focusing thanks to Nikons special CRC (Close Range Correction) focusing technology. One thing to keep in mind when using this lens is that you don't get too close with it and scratch the lens! This is very easy to do with a fisheye lens since objects appear farther away than they actually are. As with any fisheye lens you can't use protective filters because there are no threads on the front of the lens.

Like other high quality fisheyes, the Nikkor is set up to use rear gel filters for those who like the option of shooting with filters when the need arises.

At only 2.5 inches long and 2.5 inches in diameter, the Nikkor 10.5mm is a very light weight and compact lens weighing in at a mere 10.7 ounces. Constructed with10 lens elements in 7 groups this little Nikkor is a tough lens.

AutoFocus on the Nikkor 10.5 Fisheye

There's good news and bad news here. Auto Focus is very fast on this lens as long as your using a Nikon that has the built-in focus motor. If your using Nikons like the D40/D40x or D60, then your out of luck since the Nikkor 10.5mm itself has no built-in focus motor. This doesn't bother many Nikon users since this lens is in focus most of the time anyways because of its small focal length and the extreme depth of field you always get with a fisheye lens.

For those who insist on having Auto focus many Nikon DX users have turned to the Sigma 10mm f/2.8 Fisheye lens for Nikon which does have a built-in HSM focus motor.

All in all, the Nikkor 10.5 fisheye lens is a winner and you won't be disappointed with it unless having AF is essential for you and if you fall into the category of Nikon users who don't have built-in auto focus motors with their digital cameras.

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Sunday, 20 March 2011

Sigma 18-250mm - Discover a Great All Purpose Walk Around Lens For Your DSLR

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Sound like a fantasy? Think again. Lens technology, just like camera technology, is improving all the time. There are now a few high quality lenses for your DSLR that have wide angle AND telephoto capabilities, and they have excellent optics, to boot.

The Sigma 18-250mm F3.5-6.3 DC OS HSM Zoom Lens is just such a lens. As you can see from the numbers, it is an 18mm wide angle lens at the short end. But it will zoom to a whopping 250mm at the long end.

The Sigma 18-250mm F3.5-6.3 DC OS HSM Zoom Lens fits the walk around category perfectly. Here is an explanation of the code you see after "Sigma":


18-250mm is the focal length - 18mm means you can take a wide shot, like a picture of the landscape
F3.5-6.3 is the aperture value - the lower number, 3.5, is the aperture at 18mm and 6.3 is the aperture at 250mm. Aperture is how much light the lens will let in. The smaller the number, the more light.
DC refers to the type of glass in the lens. Dispersion Compensation - better than average lens glass so that there is less distortion in the photos.
OS stands for Optical Stabilization - the lens has a built in anti shake mechanism to prevent blurry photos at slower shutter speeds.

What all this means is that you can keep this lens on your camera for most normal situations.

Maybe you can relate to this situation. You go to the zoo, one of your favorite places to visit because of the wonderfully different photos you can take. You attach a lens to your camera so that you can take pictures at the tiger area. It has to be a telephoto lens because you want to get close ups of the tigers. So there you are taking some great close ups of the big cats, when all of a sudden, right next to the tigers, the elephants line up like they were a circus act. But you can't get the picture because you don't have a wide enough lens on your camera.

If you just had that Sigma 18-250, you could have captured all the action without changing lenses.

The same thing could happen while on vacation, or just about anywhere. You know it has happened to you more than once.

I am not suggesting that you throw away your specialty lenses, like the 180mm macro. But you need one all purpose, walk around lens that you can rely on most of the time.

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Thursday, 17 March 2011

Sigma 50-500mm f/4.5-6.3 APO DG OS HSM SLD Ultra Telephoto Zoom Lens for Pentax Digital DSLR Camera

Buy Sigma 50-500mm f/4.5-6.3 APO DG OS HSM SLD Ultra Telephoto Zoom Lens for Pentax Digital DSLR Camera Order Today!


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Sigma
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Great Deal :
$1,659.00
Date Created :
Mar 17, 2011 07:30:04
New Sigma APO 50-500mm F4.5-6.3 DG OS HSM. This is a 10x high zoom ratio ultra telephoto zoom lens incorporating Sigma's original Optical Stabilizer function. This lens covers a wide range of focal lengths from 50mm to 500mm ultra telephoto. The OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an image sensor shift anti-shake system. As compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. Four SLD (Special Low Dispersion) glass elements provide excellent correction of color aberration. The Super Multi-Layer Coating reduces flare and ghost and ensures high image quality throughout the entire zoom range. This lens has a maximum magnification ratio of 1:3.1 (at the focal length of 200mm) making it ideal for close-up photography. This lens incorporates HSM (Hyper Sonic Motor), ensuring quiet and high speed AF as well as full-time manual focus capability. The addition of the optional 1.4x EX DG or 2x EX DG APO Tele Converters produce a 70-700mm F6.3-8 or a 100-1000mm F9-12.6 MF zoom lens respectively. This lens is equipped with a Petal-type hood to block out extraneous light. The filter size of this lens is 95mm and the lens is supplied with

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Sunday, 13 March 2011

3 Tips On How To Buy Your First Canon EOS Lens

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So you got your first Canon DSLR camera and now you want the best lens you can get as a general all-purpose lens. This is a situation that many new camera owners have agonized over.

There are many really good lenses to consider as all-purpose, or walk around lenses. It's kind of like buying a compact point and shoot camera, though. What zoom range are you going for?

Making one general assumption, let's assume that you are looking for a zoom lens rather than a prime, or single focal length, lens. Most, though not all, new owners opt for the Canon "kit lens" as their first lens. This make sense, since it is quite inexpensive, and there is already a learning curve to deal with in that the camera needs to be mastered. The lens can come later, you think.

That is not my opinion. I personally feel that money spent on a kit lens, no matter how cheap it is, would be better spent as part payment for a better lens. After all, you will want to upgrade fairly soon, anyway, so why not get more bang for your buck right up front.

There are several things to consider about the lens you are planning to buy.

First consideration is focal length. In general, a focal length of about 18-24mm on the short end and 55-75mm on the long end will give you a very useful range. Keep in mind that these numbers are not critical. There are also some very good quality lenses that have about 105mm at the long end.

Canon, Sigma, and Tamron have recently released some pretty good lenses in the super-zoom category. These have focal lengths of 18mm at the short end and 200-270mm on the long end. They have gotten good reviews, but just keep in mind that the image quality will not be as good as those lenses with less zoom capability.

Second consideration is aperture. The best lenses will have a constant aperture of f/2.8 across all focal lengths. Lenses with a variable aperture such as f/3.5-5.6 will be less expensive, but they will not give you the same performance in all situations, especially when lighting is a challenge.

The third consideration is price. This may be your first priority, but it really needs to come after the other two. If you can't afford the best, it is much better to wait until the funds are available, rather than to get a cheap lens. I know this from personal experience. If you are sincere about your photography, you will not be happy with second class glass. It is very frustrating to try to take great pictures with poor quality lenses.

Now, you can save money by using Canon EOS lenses from third party manufacturers. Some Tamron and Sigma lenses are very good and less costly than a Canon lens with the same or similar specifications.

A word of warning. Digital camera forums can be very confusing when trying to decide on a lens... very confusing. There are lots of well meaning photographers in the forums who will express opinions based on some highly selective criteria just to show how much they know. While this is not always the case, it happens often enough to make your research quite complicated if you are basing it on those forum posts.

A better place to read about lenses is the user reviews at the Canon USA website or at FredMiranda-dot-com. You will even find lots of excellent input from satisfied (or dissatisfied) buyers at the Amazon or B & H Photo websites.

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Thursday, 10 March 2011

Myrtle Beach Pelicans Beat the Potomac Nationals, 7-4, 25 June 2010

This is a set of pictures that I took at this rather underwhelming game (neither team played very well in my opinion). I used my Canon EOS 7D with my Sigma 120-300mm F2.8 zoom lens. I developed the pictures using Adobe Lightroom 3.0 and Photoshop Elements 7.0 (using a variety of plug-ins to enhance some of the pictures). I also used Noiseware 2.0 Stand-alone to reduce the noise from shooting at very high ISOs (it was a night game).

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Monday, 7 March 2011

Canon 24mm 1.4 vs Sigma 24mm 1.8 vs Canon 28mm 1.8 - DSLR Film NOOB

www.dslrfilmnoob.com When looking for lenses its nice to see what they can do before you spend the money. Comparing different primes that can be used for video work on your HDSLR can make life a lot easier. In this video I compare the Canon 24mm f1.4 Sigma 24mm f1.8 macro Canon 28mm f1.8 Shot on the 7d

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Friday, 4 March 2011

Canon Rebel T2i + Sigma 18-200mm OS Lens + 500mm Preset Lens

Buy Canon Rebel T2i + Sigma 18-200mm OS Lens + 500mm Preset Lens Order Today!


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Date Created :
Mar 04, 2011 20:38:11

Canon Rebel T2i 18 Megapixel APS-C CMOS sensor continuous shooting at 3.7fps. Full HD movie recording with manual control and selectable frame rates DIGIC 4 processor with ISO 100-6400 (Expansion to 12800) 7.7cm (3.0") 3:2 Clear View LCD with 1,040k dots. Movie crop funtion.

Sigma 18-200mm F3.5-6.3 DC OS Lens allows the photographer to capture wide angle photos such as scenic, landscape or group photography and at the telephoto end is great for sports action. Portraits are also within these lenses capabilities. Compact and lightweight it's easy to carry and it will always deliver amazing images. Three Aspherical glass elements offer correction for distortion, Special Low Dispersion glass provides optimum color correction & sharpness, Super Multi-Layer lens coating reduces flare and ghosting and assures high image quality throughout the entire zoom range.

500mm Preset Lens

2x Telephoto T-Mount Lens

T-Mount Adapter

16 GB Memory Card

3 Piece Filter Kit

Camera Holster Case

Backpack Case

57" Full Size Tripod

High Speed Memory Card Reader

Extra Rechargeable Battery

6 Piece Starter Kit

3 Year Celltime Warranty Repair Package


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Tuesday, 1 March 2011

Sigma 28-80mm F3.5-5.6 Aspherical Macro HF Lens for Minolta-AF Camera

Buy Sigma 28-80mm F3.5-5.6 Aspherical Macro HF Lens for Minolta-AF Camera Order Today!


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Sigma
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Great Deal :
$69.99
Date Created :
Mar 01, 2011 22:30:04
CL) RE) 28-80MM F3.5-5.6 MIN ASP MAC

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